Thanks to a generous contribution from Emanuela and Silvano Merlatti.
Everett Fahy (1941-2018) was an American art historian and one of the chief experts on Tuscan Renaissance painting. His Photo Archive contains several thousand photos covering masters from the great Florentine figurative period astride the 15th-16th centuries. Historically and politically turbulent times, they were artistically unique, unrepeatable, making Florence the centre of the “New Art” and cultural capital of the Italian Renaissance.
Having focussed on Domenico Ghirlandaio, this new cataloguing project, enhancing our photographic documentation of painting in the Florentine Renaissance, moves on to a number of major artists who played a key role in Florence across the turn of the 15th-16th century.
We have Andrea del Verrocchio (1435-1488), master painter and sculptor whose workshop trained, among many others , Leonardo da Vinci (1452-1519); Filippino Lippi (1457-1504), pupil and close co-worker to Alessandro Botticelli, whose elegance and polished style he inherited; Cosimo Rosselli (1439-1507), a much esteemed fresco artist skilled enough to take part in the Sistine Chapel project in the Vatican; Baccio della Porta, whom history knows under his monkish title of Fra’ Bartolomeo (1472-1517), and lastly Michelangelo Buonarroti (1475-1564).
The value of the collection
Divided into six envelopes and totalling 1,475 photographs, this truly rich collection affords the most exact and detailed documentation on the best works by these old masters.
There are, besides, a number of folders devoted to the graphic output of Leonardo da Vinci, Filippino Lippi and Fra’ Bartolomeo especially. These photos will be a great addition to the Zeri Foundation database which is increasingly focussing on drawings, while the notes and novel information jotted on the backs will prove a specially useful study resource.
Another thing that makes this photographic material exceptional is that Everett Fahy focussed his research on those artists right from an early point in his own studies. Over the course of his career he produced articles and essays that are still held to be fundamental to art history. Worthy of special mention, here, are his texts on the youth of Fra’ Bartolomeo (1966; 1969; 1996), Michelangelo’s paintings (1977; 2009) and certain important paintings by Cosimo Rosselli (1973) and Verrocchio (1994).
These were collected, along with other writings, in the double volume Everett Fahy, Studi sulla pittura toscana del Rinascimento/Studies in Tuscan Renaissance Painting edited by Andrea De Marchi and Elisabetta Sambo, and published by the Federico Zeri Foundation in 2020.
What the project entailed
Digitalizing the 1,475 photos and cataloguing them on line, divided thus: Leonardo da Vinci (121); Filippino Lippi (435); Cosimo Rosselli (233); Verrocchio (174); Fra’ Bartolomeo (403) and Michelangelo (108).
The project terminated in December 2022.
The images are available free of charge on the Zeri Foundation online database: link here bit.ly/3yIAx4U
In publishing this latest series the online Fahy Photo Archive now amounts to over 13,000 images of Florentine and Tuscan painting and sculpture dating from the early 15th to the mid-16th century, thus swelling the Zeri Photo Archive into a unique resource for this particular research field.